Mangyu, Ladakh
The temples at the village of Mangyu once quite literally rivalled those of Alchi (འལ་ཅི་) in age and artistic quality, but they are much less well preserved today. While Alchi was founded by representatives of the Dro (འབྲོ་) clan, Mangyu was financed by the Mer (སྨེར་) clan. A sense of rivalry between the two groups can be recognised not only in the level of artistic ambition but also in the specific interpretation of Buddhism represented at each site.
The documentation assembled in the (◊ Mangyu) gallery is focused predominantly on the clay sculptures. The sole monument for which the full documentation has been added is the ◊ Four Sculpture Chörten, whose paintings are certainly among the highlights of Mangyu. While I have drawn on this documentation extensively for comparative purposes, I have not published a standalone study on Mangyu beyond its clay sculptures.
Mangyu Picture Galleries
Selected Literature
- Linrothe, Rob. 2011. Skirting the Bodhisattva: Fabricating Visionary Art. Études mongoles et sibériennes, centrasiatiques et tibétaines 42, 2–48.
- van Ham, Peter. 2010. Heavenly Himalayas. The murals of Mangyu and other discoveries in Ladakh. Munich: Prestel.
- Linrothe, Robert N. 1994. The Murals of Mangyu: A Distillation of Mature Esoteric Buddhist Iconography. Orientations 25, no. 11: 92–102.