Departing from the identified Drigung Kagyü School lineage depiction on the third floor of the Alchi Sumtsek, early Drigung painting and its identification became increasingly a focus of my research. More recent publications considerably expand on and refine the results of earlier ones. Relevant publications on Alchi are featured on the Alchi research page.
Related Publications
- “Beneficial to See: Early Drigung Painting.” In Painting Traditions of the Drigung Kagyu School, edited by David P. Jackson. New York: Rubin Museum of Art, 2014: 214–59.
- “A First Glance on Early Drigungpa Painting.” In Studies in Sino-Tibetan Buddhist Art. Proceedings of the Second International Conference on Tibetan Archaeology & Art, Beijing, September 3–6, 2004, edited by Xie Jisheng, Shen Weirong, and Liao Yang, Beijing: China Tibetology Publishing House, 2006: 459–88.
- “The Wanla bKra-shis-gsum-brtsegs.” In Buddhist Art and Tibetan Patronage Ninth to Fourteenth Centuries, edited by Deborah E. Klimburg-Salter and Eva Allinger. PIATS 2000: Proceedings of the Ninth Seminar of the International Association for Tibetan Studies, Leiden 2000, vol. 2. Leiden: Brill, 2002: 115–25.
- “Alchi and the Drigungpa School of Tibetan Buddhism: the Teacher Depiction in the Small Chörten at Alchi.” In Mei shou wan nian – Long Life Without End. Festschrift in Honor of Roger Goepper, edited by Jeong-hee Lee-Kalisch, Antje Papist-Matsuo, and Willibald Veit. Frankfurt am Main: Peter Lang, 2006: 181–96.
Featured Publications
- Beneficial to See: Early Drigung Painting, 2014.
- A First Glance on Early Drigungpa Painting, 2006.
- The Wanla bKra-shis-gsum-brtsegs, 2002.
Other relevant publications on Alchi are featured on a separate research page.